Tag / pub

by Alexander Sorondo

April 28

At an upscale pizza joint in South Miami there’s a woman working the door with long blond braids who looks in the candle light to be about thirty. Tell her you’re heading to the bar and she smiles, gestures teh way, and you go. Keep turning to see her walk people to their tables.

Couple weeks ago you saw her at a gas station on Old Cutler in a BMW with her daughter, a kid, wearing matching outfits. Cute. You find yourself glancing at her again and again because you saw her a couple weeks prior to even this

at a bar by herself, Monday night. It’s just past dark and you’re here with a friend. Men keep approaching her and she smiles, engages, sends them away. People by her drinks.

An hour of her sitting by herself and here comes an older guy sitting beside you. Salt and pepper hair, bearded, short and muscular. He orders a beer, gets absorbed in his phone.

She’s looking at him.

A shot of something bourbon-colored gets set beside his beer.

He looks up.

Bar tender points to the woman on the square-shaped bar’s opposite end. With the long blond braids.

He raises his glass to her and she comes over to him. Sits on the next stool.

You’re tipsy and delighted cuz this is gonna be the jackpot of eavesdropping.

Then the fucking Heat game starts and they switch the volume way up so you can’t hear a thing of what these two are saying.

They’re making out by the third quarter.

And a little over a month later you’re having a drink at the bar of an upscale pizza place, waiting to meet your brother, and here she is.

All these people around you. Their lives.

by Alexander Sorondo

April 27

Pretty tipsy and it’s Karaoke night again, the music’s crazy loud, and while reading somebody launches into a Linkin Park song at the mic and — maybe this is you being drunk and hypersensitive — the vibrations through the bar, through your stool, are running through your torso and seem to be tracing the outline of your organs. Your organs are buzzing.

It’s awful.

But also might not actually be happening.

Except it feels like it’s happening. You feel through vibrations every bunched-up contour of your intestines and you hope that this song ends immediately.

by Alexander Sorondo

April 26

Karaoke. You didn’t know.

A middle-aged guy in blue jeans with red suspenders and his shirt tucked in takes the stage with a melancholic rendition of “Love on the Rocks”. You see him at Barnes & Noble sometimes. He goes there with a backpack and a baseball cap and stays for hours. Reads a lot.

His voice is deep and he talks with a cadence that sounds aloof, and every step he takes looks a little too deliberate. You see him sometimes with a friend who’s shorter, slimmer, has more hair. They talk and talk and sound like close friends. This other guy sits while the big guy reads, never cracks a book himself. Just looks around, plays on his phone. Now and then he’ll interject with a remark. Big guy responds as though he weren’t preoccupied.

Next guy on stage is tall and white and bald, wears a sleeveless t-shirt, and he raps and even though the on-screen read-along has substituted the n- and f-word for something else he supplies them anyway. The room is uneasy, and he descends the stage with a smile. A shitty dude, powerless, takes what joy he can from making people uncomfortable.

by Alexander Sorondo

April 22. Never looks the way you thought.

At work your colleague shows you this book he just bought. A friend of his wrote it. Published by a small house. The author photo is a candid shot, kinda blurry, taken at an event where he’s wearing a suit and holding a microphone.

Start thinking about how the author probably poured his heart into this book and a few hundred hours of eager earnest work and how he probably pitched it to a hundred agents who all broke his heart before he came across this little press, a local outfit, that took his book and dressed it up and shelved it in stores and got him some speaking engagements around town where he sits on a panel or reads to a small audience so that he can feel some vestige of what he figured — while writing — it would feel like to be an author

Eventually you realize you’re being negative for no reason and hush yourself.

That night at the Brewhouse you get a text from your brother that rustles your feathers and you’re writing some long-ass text in response, “and this thing and that thing and how dare you” — pointless. Negative for no reason.

Just agree with him. And then turn your phone off. Have a drink and stop thinking.

by Alexander Sorondo

April 21

It’s late and you’re heading home after work and decide to stop at CVS for a fourpack of PBR.

Pull up to the store and fine the PBR’s all gone. Even the big 22-ounce cans you can buy on their own. There’s a few six- and twelve-packs of various beers and while you tell yourself you aren’t in the mood for that much beer tonight the truth is you don’t have that kinda money right now.

What they do have, over by the cheap stuff, is this lone can of Michelob Ultra. Fucking huge. Like 30 oz. Have you ever had Michelob Ultra? Can’t seem to remember.

The giant can costs $2.50.

That’ll do, pig.

Buy the giant Michelob Ultra and take it home, fix yourself a sandwich, reach for the big beer and suddenly you don’t want it. Feel the heft of this can in your hand and some weird gastric foresight tells you how it’ll feel in your belly. Not good. Put it in the fridge, eat your sandwich, go to bed.

Next night you come home with a fourpack of little plastic wine bottles. Go to put em in the fridge and when you open the door you almost recoil at the lone top-shelf figure. It’s a giant can of Michelob Ultra. Standing there like Homer Simpson’s silo of pig shit.

Take it out and hold it. Feels like a mortar round. Big as your forearm.

You do not want this.

Feels wrong to just throw it away, though.

Look around your kitchen as though for somebody else who might want it. A ghost. Some means of disposal. There’s the sink but you don’t want that. The trash, but ditto. Maybe take it to work tomorrow, give it to somebody? Or walk it down the road to the intersection and just stand it up on the sidewalk.

Imagining the young newlywed who stumbles upon it. “Hm. What’s this?” He takes it home.

His wife is there, stressing at the kitchen table with a calculator: all these bills. She sees the thing in his hand. “What’s that?”

“It’s a giant can of Michelob Ultra. I found it at the intersection.”

“Shall we have it for supper?”

“I should say so.”

Humble, loving couple. Struggling, but they have each other.

She clears the bills from the table and brings out two bowls.

He snaps the tab on this giant can of Michelob Ultra and out from it — a great purple light!

Twas a genie’s abode all this while.

The young couple are granted three wishes. They ask for wealth and good health and a happy life together among friends. The genie rubs his elbows, gyrates, and grants their wishes. Serenity henceforth, tenderness, comfort.

Even so: you don’t wanna drink this.

by Alexander Sorondo

April 19

Her name’s G. Whenever she shows up and you’re here already, reading, she’ll come over and sit, talk, and on the one occasion you told her you really needed to get through this book she told you to go to a library. She’d leave you alone if you really pressed it but you never do.

She has a brazen sense of humor and talks in a growl, sarcastic, her eyelids are heavy like she’s always exasperated but she gets softspoken and earnest after a shot. Sips her beer from a plastic cup instead of a glass cuz she’s constantly in and out for a cigarette. Prides herself on intelligence. Every problem she has at work comes down to her colleagues being stupid. Says she likes talking to you cuz you’re one of the few smart people she knows. You figure what she’s praising as intelligence is probably just your willingness to listen. But don’t say that.

G.’s in her early fifties and looking for a new job, maybe in the same industry, and tonight she’s talking, laughing, about french fries (her favorite food, surrendered for lent) and soliloquizes, in a way that suggests years of serious analysis, the french fry situation in Miami. The Cuban influence. The absence of White Castle. The flexible but relatively consistent supremacy of skinny fries over wedges.

She will not eat them curly.

After the first beer she goes for a smoke and comes back for a shot of Fireball, refill on the beer, and then, slowly, weariness encroaches.

“You remember the guy I was talking about?”

EMT, ex-military, she was hooking up with him while his divorce was being finalized a couple months ago. (Took forever.)

 

The guy feels guilt about sleeping with somebody else while he’s still married.

After a while, as the divorce inches toward a close, he keeps going over to G.’s place but he’s emotional, reflective, doesn’t wanna have sex.

His conscience.

G. tells him it’s fine. She scratches his back in bed while he vents. (Makes a point of telling you she could see him getting hard through his shorts. Closes her eyes and raises her hands, palms out, innocent: “I didn’t touch.”)

“Now…” she says. Just that. Leaves the word hanging while she sips her beer, looks away, shakes her head. “He won’t answer my texts for like ten hours if he answers them at all. Not answering a call, or returning it — I can understand that. But a text? You can’t text me a yes or a no for six hours, seven hours? You don’t shit? Can’t step into the bathroom and take your phone out?”

She says, “For two months we had literally everything I could have wanted. Simple shit. Someone to send a text: ‘Goodmorning.’ Send a text: ‘Goodnight.’ Little nice updates during the day. Meet up once or twice a week to get a drink, sleep over. Not even to have sex, if he wasn’t in the mood. But just that…shit, the company, man.”

You nod.

She drinks. Shrugs. Orders another shot and takes it outside in a plastic cup. You can see her lighting up outside and she doesn’t come back for a while.

by Alexander Sorondo

April 18

Last night was open mic and even though you hadn’t prepared a routine, on account of so much work needing to get done and lots of family drama, you went up on stage. Underprepared. Fucked it up. Got down and lingered and had a beer, killed time, drove home and drank more and fell asleep cringing at how badly you’d bombed.

Wake up cringing still. In the shower you work the soap into a lather real aggressively, like to wash off the shame, and “fucking…shit” becomes the feverish, meandering, self-loathing mantra all through your morning routine: you’re getting dressed, checking email, driving to Starbucks, eating, posting for the Project — “fucking shit. Shit in my mouth.” Just start flinching outta the blue whenever you remember one of the awful jokes.

In the car you can’t escape the memories so fuck it, turn the radio off, confront it and “fuck, fuck me, I hate it. Get to the…chopper, fuck.”

Gibberish. So ashamed that words and phrases just come out, murmured or shouted or growled at the dashboard, doesn’t matter if it makes sense cuz what you really wanna do is scream.

So you scream.

It’s nice. There’s an endorphin melt afterward. Your throat hurts and your voice is immediately hoarse and will stay that way for two days.

Walking to the office you realize that if somebody stabbed you right now it’d be bad, of course, and that at some point in the hospital or the morgue you’d think, “Well I fucking wish this hadn’t happened” — but, tentative upside: literally nobody would still be talking about how painfully unfunny you were on stage last night. Even if somebody tried to bring it up they’d get shot down.

“Alex’s last routine was painful.”

“Dude just got stabbed, Reggie, give it a rest.”

It’s a slow day at work, nothing to do, but you will die if left alone with these thoughts about last night so you take out some essays you’re working on and start marking em up, flipping sentences, scratching out one phrase and jotting another, re-writing whole grafs.

And an hour later you’re just…here. Relaxed. Held up by the work. Yourself with pen and paper and the world, unlaughing, sitting someplace else, beyond the gate, doing its thing.

by Alexander Sorondo

April 5. Fans, Cooling Off.

Wouldn’t have thought college basketball was this popular but there’s a game on between Duke and some other school and everybody’s pretty tense about it, focusing on the massive TVs over the bar, even the servers and the bussers pausing to look, trade remarks. Everytime somebody’s closing in on a basket you’ll hear a chorus of muted “come on come on come on” and two bussers pause right beside you and one of them’s gripping his hair and sighing and talking about his bracket.

Whenever somebody makes or misses a basket the reaction is explosive, disappointment or joy, and all the tension along the bar melts off in a loopy uneven way. Like ice cream in a microwave. Then it all picks up again, just as slow.

It’s 7 on a Sunday and you’re only halfway through your first beer but you feel like this’ll be the only one and then you’ll go. Nothing to do with the game or the shouting. This just happens lately, in a way it never did in your early twenties. You’ll look at the remaining half of a beer and something in your stomach, some vague overhead cloud with mixed-up silent words about sleep and the next day’s responsibilities, tells you in no unclear way that you’re done. It’s time to go home.

And so that’s where you go.

You find a safe behind the painting.

04 left, 24 right, 91 left.

Pull the door open and you’re transported to the Thousand Movie Projects.

by Alexander Sorondo

Did This to Yourself

There’s a young guy here about your age who parts his hair in the back-right corner of his head and he’s got sunglasses on inside, taking hits from an e-cigarette, an air of austerity and entitlement about him and, internet being what it is, you wonder if he’s famous somehow, or if his parents are rich, and then a minute later you notice you aren’t even entertaining the idea that maybe this kid is independently wealthy for doing something honest and practical.

He’s having coffee at a table with an older woman in nice clothes who’s talking about somebody who lost $9 million. She gets to the end of her explanation: the person who lost it and how they lost it and the consequences. Then she looks into her coffee and shakes her head, pitying. Cocks an eyebrow. “May’ve even been ten million.”

More of this upstairs, in the Thousand Movie Project.

by Alexander Sorondo

April 2

Three bar tenders having fun tonight, it’s not that busy for a Saturday, and after you’ve ordered and been here reading for a few minutes one of them comes and sets a bowl of ice cream in front of you and says, “Here’s the ice cream you ordered.” She’s wide-eyed. You’re supposed to go along with it.

Touch the rim and pull it toward you. Say thanks.

She walks away.

Don’t eat it. Keep reading.

Couple minutes later she comes and takes the ice cream and starts eating it at a crouch, grinning. “I went and scooped this cuz my boss was outside but when I came back up she was right there. Had to pretend it was for a customer.”

You smile back and nod, tell her it’s no problem, decide not to rhapsodize about how flattered you are to be considered dependable. Just drink your beer and keep reading.

Be sure to check out Thousand Movie Project