April 5. Fans, Cooling Off.

Wouldn’t have thought college basketball was this popular but there’s a game on between Duke and some other school and everybody’s pretty tense about it, focusing on the massive TVs over the bar, even the servers and the bussers pausing to look, trade remarks. Everytime somebody’s closing in on a basket you’ll hear a chorus of muted “come on come on come on” and two bussers pause right beside you and one of them’s gripping his hair and sighing and talking about his bracket.

Whenever somebody makes or misses a basket the reaction is explosive, disappointment or joy, and all the tension along the bar melts off in a loopy uneven way. Like ice cream in a microwave. Then it all picks up again, just as slow.

It’s 7 on a Sunday and you’re only halfway through your first beer but you feel like this’ll be the only one and then you’ll go. Nothing to do with the game or the shouting. This just happens lately, in a way it never did in your early twenties. You’ll look at the remaining half of a beer and something in your stomach, some vague overhead cloud with mixed-up silent words about sleep and the next day’s responsibilities, tells you in no unclear way that you’re done. It’s time to go home.

And so that’s where you go.


You find a safe behind the painting.

04 left, 24 right, 91 left.

Pull the door open and you’re transported to the Thousand Movie Projects.

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