April 28

At an upscale pizza joint in South Miami there’s a woman working the door with long blond braids who looks in the candle light to be about thirty. Tell her you’re heading to the bar and she smiles, gestures teh way, and you go. Keep turning to see her walk people to their tables.

Couple weeks ago you saw her at a gas station on Old Cutler in a BMW with her daughter, a kid, wearing matching outfits. Cute. You find yourself glancing at her again and again because you saw her a couple weeks prior to even this

at a bar by herself, Monday night. It’s just past dark and you’re here with a friend. Men keep approaching her and she smiles, engages, sends them away. People by her drinks.

An hour of her sitting by herself and here comes an older guy sitting beside you. Salt and pepper hair, bearded, short and muscular. He orders a beer, gets absorbed in his phone.

She’s looking at him.

A shot of something bourbon-colored gets set beside his beer.

He looks up.

Bar tender points to the woman on the square-shaped bar’s opposite end. With the long blond braids.

He raises his glass to her and she comes over to him. Sits on the next stool.

You’re tipsy and delighted cuz this is gonna be the jackpot of eavesdropping.

Then the fucking Heat game starts and they switch the volume way up so you can’t hear a thing of what these two are saying.

They’re making out by the third quarter.

And a little over a month later you’re having a drink at the bar of an upscale pizza place, waiting to meet your brother, and here she is.

All these people around you. Their lives.

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April 27

Pretty tipsy and it’s Karaoke night again, the music’s crazy loud, and while reading somebody launches into a Linkin Park song at the mic and — maybe this is you being drunk and hypersensitive — the vibrations through the bar, through your stool, are running through your torso and seem to be tracing the outline of your organs. Your organs are buzzing.

It’s awful.

But also might not actually be happening.

Except it feels like it’s happening. You feel through vibrations every bunched-up contour of your intestines and you hope that this song ends immediately.

April 26

Karaoke. You didn’t know.

A middle-aged guy in blue jeans with red suspenders and his shirt tucked in takes the stage with a melancholic rendition of “Love on the Rocks”. You see him at Barnes & Noble sometimes. He goes there with a backpack and a baseball cap and stays for hours. Reads a lot.

His voice is deep and he talks with a cadence that sounds aloof, and every step he takes looks a little too deliberate. You see him sometimes with a friend who’s shorter, slimmer, has more hair. They talk and talk and sound like close friends. This other guy sits while the big guy reads, never cracks a book himself. Just looks around, plays on his phone. Now and then he’ll interject with a remark. Big guy responds as though he weren’t preoccupied.

Next guy on stage is tall and white and bald, wears a sleeveless t-shirt, and he raps and even though the on-screen read-along has substituted the n- and f-word for something else he supplies them anyway. The room is uneasy, and he descends the stage with a smile. A shitty dude, powerless, takes what joy he can from making people uncomfortable.

April 25

She was a bar tender at one of the bars in the mall near your house, still is, and since you were going there on a regular basis she got in the habit of striking up conversation. Especially on weeknights. Friendly, smart, compulsively adopting animals. Good company.

Call her Rebecca.

One night you stop at the bar with a friend. It’s a weeknight, quiet. She buys you both a second round. Some beer that isn’t selling.

Thanks, Rebecca.

Last call comes so your buddy and you head a few doors down and keep drinking.

An hour goes by and, what’s this beside you?

Rebecca.

“Hey,” it’s nice to see her, “where’d you come from?”

She got cut early.

And she’s not wasting any time.

Rebecca orders three shooters that taste like Cinnamon Toast Crunch. One for herself, one for you and the friend.

[chorus] “Ariba…”

Then she buys another shot — just for you. You drink it. She tries to buy you a third but you refuse it. Stick with your beer. Drunk.

Rebecca sets her phone down in front of you with the keypad open. “Put your name and number in.”

You do it.

Ask for the check and she tries to keep you planted but you end up paying and leaving.

Next day she’s texting, asking if you wanna hang out You don’t. Come up with an excuse. She asks again a couple days later. Thanksgiving is a couple days away so you’ve got an excuse.

“So much to prepare…”

Here comes the day. Do some prep stuff at home with family and tehn take off for a relative’s place where the platters tower and the booze runs quick. Get yourself plump and drunk. Go off to the TV room and fall back in a recliner.

Deep breaths.

Fat and sleepy.

Phone buzzes. Buzzes.

Reach for it, and see a text from Rebecca.

Says, You obviously don’t give a fuck about me so don’t even bother.

April 23

Every now and then you’ll have a busy morning where you get more things done than you expected but most days you go to bed feeling like you haven’t done enough. Wouldn’t be able to sleep if you’d done nothing, though. You abide pretty strictly by the No Zero Days doctrine and, big or small, there’s something to show for your day.

But mostly you’ll find yourself sitting at the bar when Happy Hour comes around and you feel like a criminal, a burnout, a loser. Tethered to this place where you’ll slump and sulk forever about how unproductive you are.

Like today: you woke up, recorded a podcast at the house. Then you came to the coffee shop and edited the podcast from 18 minutes down to twelve. A good edit. Then you posted it. After that you fixed your resume and sent it out to somebody who’d asked to see it. Then you did about fifty pages of reading, edited the evening’s blog post, typed up a hand-written essay. It’s not nothing. But you spent a lot of the afternoon socializing. Wondering what you could be doing to be productive.

So you get here and have your drink and crack the notebook so you can add this to the list of shit you did today and now you’re mapping all the shit you ought to do with the rest of your night. You’ll probably do one of the four things you’re planning. if that.

So here’s a question to drink about: how much is enough?


It occurs to the narrator that there might at last be a feeling of success, or something like it, when he posts the last entry for 

Thousand Movie Project.

April 21

It’s late and you’re heading home after work and decide to stop at CVS for a fourpack of PBR.

Pull up to the store and fine the PBR’s all gone. Even the big 22-ounce cans you can buy on their own. There’s a few six- and twelve-packs of various beers and while you tell yourself you aren’t in the mood for that much beer tonight the truth is you don’t have that kinda money right now.

What they do have, over by the cheap stuff, is this lone can of Michelob Ultra. Fucking huge. Like 30 oz. Have you ever had Michelob Ultra? Can’t seem to remember.

The giant can costs $2.50.

That’ll do, pig.

Buy the giant Michelob Ultra and take it home, fix yourself a sandwich, reach for the big beer and suddenly you don’t want it. Feel the heft of this can in your hand and some weird gastric foresight tells you how it’ll feel in your belly. Not good. Put it in the fridge, eat your sandwich, go to bed.

Next night you come home with a fourpack of little plastic wine bottles. Go to put em in the fridge and when you open the door you almost recoil at the lone top-shelf figure. It’s a giant can of Michelob Ultra. Standing there like Homer Simpson’s silo of pig shit.

Take it out and hold it. Feels like a mortar round. Big as your forearm.

You do not want this.

Feels wrong to just throw it away, though.

Look around your kitchen as though for somebody else who might want it. A ghost. Some means of disposal. There’s the sink but you don’t want that. The trash, but ditto. Maybe take it to work tomorrow, give it to somebody? Or walk it down the road to the intersection and just stand it up on the sidewalk.

Imagining the young newlywed who stumbles upon it. “Hm. What’s this?” He takes it home.

His wife is there, stressing at the kitchen table with a calculator: all these bills. She sees the thing in his hand. “What’s that?”

“It’s a giant can of Michelob Ultra. I found it at the intersection.”

“Shall we have it for supper?”

“I should say so.”

Humble, loving couple. Struggling, but they have each other.

She clears the bills from the table and brings out two bowls.

He snaps the tab on this giant can of Michelob Ultra and out from it — a great purple light!

Twas a genie’s abode all this while.

The young couple are granted three wishes. They ask for wealth and good health and a happy life together among friends. The genie rubs his elbows, gyrates, and grants their wishes. Serenity henceforth, tenderness, comfort.

Even so: you don’t wanna drink this.

April 20

Use the garage today because it’s pouring rain. You know it’s a bad idea because they charge a weekend surplus but for some reason you go along with it.

At a bar upstairs the notebook comes out and you do a good amount of work in the sapce of two beers. The bill is $6, plus tip. It’s been about two hours. This is fine.

Leaving the garage a twentysomething in the cashiers’ booth tells you the price of your stay was $7. Frustrating. Guilt-inducing. Embarrassing, too, that you can’t go out to do some work over just two cheap beers without then incurring some peripheral expense that throws your supper into question and sets you on this nervous-angry thought track (made worse by the booze) about when you’ll next be paid and how embarrassingly meager a life you’ll have to lead until then.

The machine isn’t working.

Dude in the booth asks if you’d mind backing up 20 feet, changing lanes, and going and paying in another automated register.

Bafflingly, you say, “Yeah, I mind.”

Of course you don’t mind.

This dude with the glasses sighs and then apologizes but says that this is the only way for you to get out.

Of course he’s not sorry.

Two twentysomethings at an agitated standstill not wanting (not being able) to say what’s really got you both here, in this mood.

  1. He’s just doing his job, and embarrassed to be working here.
  2. You’re just broke, and embarrassed to be so.