Tag / hospitality

by Alexander Sorondo

April 18

Last night was open mic and even though you hadn’t prepared a routine, on account of so much work needing to get done and lots of family drama, you went up on stage. Underprepared. Fucked it up. Got down and lingered and had a beer, killed time, drove home and drank more and fell asleep cringing at how badly you’d bombed.

Wake up cringing still. In the shower you work the soap into a lather real aggressively, like to wash off the shame, and “fucking…shit” becomes the feverish, meandering, self-loathing mantra all through your morning routine: you’re getting dressed, checking email, driving to Starbucks, eating, posting for the Project — “fucking shit. Shit in my mouth.” Just start flinching outta the blue whenever you remember one of the awful jokes.

In the car you can’t escape the memories so fuck it, turn the radio off, confront it and “fuck, fuck me, I hate it. Get to the…chopper, fuck.”

Gibberish. So ashamed that words and phrases just come out, murmured or shouted or growled at the dashboard, doesn’t matter if it makes sense cuz what you really wanna do is scream.

So you scream.

It’s nice. There’s an endorphin melt afterward. Your throat hurts and your voice is immediately hoarse and will stay that way for two days.

Walking to the office you realize that if somebody stabbed you right now it’d be bad, of course, and that at some point in the hospital or the morgue you’d think, “Well I fucking wish this hadn’t happened” — but, tentative upside: literally nobody would still be talking about how painfully unfunny you were on stage last night. Even if somebody tried to bring it up they’d get shot down.

“Alex’s last routine was painful.”

“Dude just got stabbed, Reggie, give it a rest.”

It’s a slow day at work, nothing to do, but you will die if left alone with these thoughts about last night so you take out some essays you’re working on and start marking em up, flipping sentences, scratching out one phrase and jotting another, re-writing whole grafs.

And an hour later you’re just…here. Relaxed. Held up by the work. Yourself with pen and paper and the world, unlaughing, sitting someplace else, beyond the gate, doing its thing.

by Alexander Sorondo

April 16. I remember you.

You’re about to go for a walkthrough at an efficiency in a convenient part of town and, being too excited, you get here an hour early.

Can’t go knocking on the door right now. Gotta be punctual, make a good impression.

So you go to kill time at a bar about five blocks away. Bring a book.

The bar tender walks up to you with this head-tilted squint, and so you start squinting right back at her, and bending your own head. She does seem familiar…

Then she calls it, smiling. For eight or nine months she tended bar at a big corporate chain next door to the nearest movie theater to your house. She saw you every Friday afternoon back when you sustained that six-month habit of catching a show on your day off.

You ask why she left the big chain.

“Got fired.”

(You have to stop asking this.)

She closes her eyes and tilts her head again and shrugs, like no big deal. “It was a shitshow there. Got fired on a technicality. It’s a long story.”

You ask for the story.

She tells it.

You drink two beers in the time it takes her to say that she didn’t card somebody. The customer was clearly of age, maybe mid-thirties, but rules are rules.

“I don’t really mind, though.” Again with the closed eyes and the big shrug. “This place pays me just as good. And we don’t have roaches here.”

by Alexander Sorondo

April 14. La Quinta.

This particular La Quinta’s in a shady part of town and there’s bad lighting in the parking lot so when you get here at 9:30 it’s almost pitch dark. You walk inside with the McDonald’s bag and the Pabst Blue Ribbon in one hand and your keys in the other, clutched in a jumble, unclear whether you’d swing or stab them at an attacker.

The elevator is wood-paneled and smells like 2002 and the hallway is narrow so you can hear laughter and coughing and arguments and all different sorts of TV while walking to your room. You’re on the second floor and two guys are having a heated argument in Spanish under your window so you draw the shade and turn the TV on and eat your fast food, drink your beer, stare at cartoons but focus mostly on money, jobs, where to go from here. Family drama. Issues with money again. Where will you live next month.

Something next door crashes into the wall behind your TV and you spill some beer in your lap, trying to stand up. Snatch the remote up and hit Mute.

Crouching by the window in your boxers and dress shirt, some vague inflexible imitation of a karate pose, rivulets of beer on your arm and crotch, you stand perfectly still, listening closely.

But your neighbors are dead quiet now. Not even a TV.

Blood’s pumping in your ears.

Creep over to the door and open it slowly and look both ways down the hall.

Just the white noise behind other people’s doors.

In the arm chair over the next two hours you watch cartoons with the volume low, taking small sips, going rigid and muting the TV whenever you think you hear something from next door. At some point you get into bed and at 9 am wake up with a gasp from some dream about a sniper.

by Alexander Sorondo

April 11. Didn’t We All.

The two of them, off now by themselves, came in as a group of six, probably straight from the office, and even though they’re still sitting with the group you can feel how they’ve kinda removed themselves.

The other people in their party have turned inward toward their new grouping of four. It’s the kinda scene where you can tell that the other four have been trying to get these two together. Maybe it’s the whole reason for the happy hour outing.

He’s explaining something to her, longwinded, and at the end of it she seems more curious than impressed when she says, “You know a lot about bars.”

Lifting his beer he says, “Yeah.” Coy in a way that might or might not be sincere.

“Were you a waiter?”

Sets his glass down. Beer from the tap. Pausing to swallow. “That’s the part I actually don’t like to talk about so much.” He clears his throat and makes a gesture with his shoulders like he’s a guy with a troubled past or something. “I actually…” dramatic pause for a weary sigh, “I used to have a business…”

by Alexander Sorondo

April 10. Jazz.

A student comes into the lab where you work cuz her teacher says she has to, she’s your age, and from the moment she walks in you for some reason fall into this comfortable barb-trading, razzing one another’s outfits and haircuts and teeth, and when you sit to help her out with an assignment you get along great, joking and making headway through the work, and if there’s anything flirtatious about the way you guys are joking it’s kept way beneath the surface because, apart from making a mess of the tutor-student thing, she’s involved with somebody, and you’re involved with somebody, both parties happy with those involvements.

She has a son. He’s 6. She collects and repairs and fawns over old cameras and would like to do more of it but for the fact that, as she puts it, she “just had to choose the fucking most expensive hobby, of course, and so…”

She trails off a lot, finishing her points with nimble-fingered gestures and, occasionally, a weight-lifter’s lunge. You go down to the cafeteria with her for a colada one afternoon and she does a pirouette at the register. Says she woulda been a great dancer if her parents had enrolled her.

The two of you meet at a music thing one night after the semester’s done, a couple of mutual friends in the mix. Later she drives you back to your car and in those couple minutes you both get uncharacteristically direct (a few months of casually insulting each other has made this weirdly easy) and the conversation culminates with one or the other saying, “So we’ve got crushes on each other,” and then quiet awkward yeahs.

“Bad timing.”

“Yeah.”

Something just barely mournful to your voices, like it sucks, but also something relaxed and contemplative, because it doesn’t suck.

You’re involved with someone, and happy; she’s involved with someone, and happy.

A relaxed silence between you, like a shrug, and then, smiling, you cheesy fucks talk about moments where one of you swooned at something the other one did. Back when the crush was a secret. That thing you wore, the way you said it, the lighting was just right…

You both laugh about it.

The road’s dark and empty, it’s late, and she drives like a mom with her hands at 10 and 2, her back straight as a board. So much respect for the speed limit.

Grayhaired, comfortable on the porch with a beer, you’re thinking back on old heartthrobs and passions, commitments, dreams.

And then, on a breeze, you catch a tune. Something from your youth. Know that song so well.

Follow it down the street to the gaping door of the old beatdown playhouse and upon walking inside you see a sign for

Thousand Movie Project

by Alexander Sorondo

April 7. Crystal Ball.

You and this other guy who do standup have a seat at the venue, each with a drink, and he says he’s reached two conclusions about you. “And you tell me if I’m wrong.”

“Sure.”

“The first is that you’re pretty smart.”

“Thanks.”

“Second one, no offense, is that you’re probably the least successful of your friends.”

by Alexander Sorondo

April 4. Keep it to Yourself.

Lunch with dad at an Argentine restaurant that the family hasn’t been to in years but that once upon a time was maybe a monthly staple. Early on a Friday evening we’d come here as a family and complain about the bread being stale and as a kid I’d get the cherry off my mom’s tres leches. One night when the manager noticed the trend he started bringing me a plate of cherries for dessert. You were little then but not very. All through the meal you’d be checking your watch because you didn’t wanna miss ABC’s Friday-night kid-centric programming. Boy Meets World, Sabrina the Teenage Witch, a show about a genie that you can’t remember the name of.

Dad asked a few minutes ago if you were upset about something but you’re not and you tell him you’re not but he doesn’t believe you. Drink a beer and now you seem fine. Have another beer and you’re finer still.

He follows you to the house afterward to pick up some stuff. He hasn’t been here in weeks and asks lots of questions about it. In the driveway he seems sad for a minute and then starts saying indiscreet things to make that sadness clear. Hugs you too long, says he misses having someone to drink wine with.

Leaves.

by Alexander Sorondo

April 2

Three bar tenders having fun tonight, it’s not that busy for a Saturday, and after you’ve ordered and been here reading for a few minutes one of them comes and sets a bowl of ice cream in front of you and says, “Here’s the ice cream you ordered.” She’s wide-eyed. You’re supposed to go along with it.

Touch the rim and pull it toward you. Say thanks.

She walks away.

Don’t eat it. Keep reading.

Couple minutes later she comes and takes the ice cream and starts eating it at a crouch, grinning. “I went and scooped this cuz my boss was outside but when I came back up she was right there. Had to pretend it was for a customer.”

You smile back and nod, tell her it’s no problem, decide not to rhapsodize about how flattered you are to be considered dependable. Just drink your beer and keep reading.

Be sure to check out Thousand Movie Project